LECTURES

All our lectures are currently on Zoom and we will send the Zoom link by email on the Friday before each one. If you do not receive it please email webmaster@artsocavendish.co.uk.

28 September 2021

Australia’s Fontainebleau and the Heidelberg School

Notice where this exhibition was held!

The Heidelberg School shelters under its own unique umbrella taking their academic influences equally from the Royal Academy School in London and the French Impressionists. Key members were Tom Roberts, Arthur Streeton, Frederick McCubbin and Charles Conder whose art evolved from the informal, evocative and naturalistic into a nationalistic expression. In 1901 McCubbin bought a cottage on Mount Macedon, its surroundings became the inspiration for some of his best known works, the family named the property Fontainebleau. Its guest list ranged from Ellen Terry and Dame Nellie Melba to his myriad students who camped in the gardens.

Caroline Holmes


19 October 2021

Ups and Downs of the Lives of the Impressionists along the Seine which has been termed ‘The Cradle of Impressionism.’

A tiny section of the Seine to the West of Paris which would have represented the perfect antidote to the claustrophobia of mid 19th Paris has been termed the Cradle of Impressionism. It was here to five neighbouring riverside villages that the artists who would later become known as the Impressionists, became frequent visitors. In some cases they even set up home for a while. The lives and early works of Monet, Renoir, Pissarro, Sisley and Morisot will be explored in this lively and entertaining lecture. Their desperation to gain recognition and make their mark is apparent and both the painting styles adopted, and subject matter depicted were to cause a revolution in the Art World. 

Carole Petipher


16 November 2021

Art Behind Bars: Role of the Arts in the Cycle of Crime, Prison and Re-offending

Years of working as an artist within the Criminal Justice System in England and Germany have given Angela unique insights into the destructive and costly cycle of crime, prisons and re-offending. In this thought-provoking talk she offers a deeper understanding of the minds, lives and challenges of offenders. With extraordinary slides of art projects and prisoner’s art, she demonstrates how within the process of creating art of any discipline, there are vital opportunities for offenders to confront their crimes and develop the key life skills so essential in leading a positive and productive life. A frequent response to this talk has been “I had no idea!” and indeed it casts light onto areas of our society where the Arts not only are visual, decorative or commercial, but absolutely vital, hugely relevant and potentially life-changing.

This talk is moving, informative and original. Interspersed with personal accounts of humorous or slightly horrifying situations, these talks have kept audiences across the country engrossed. 

Angela Findlay